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“[Redman’s] collages are fraught with inventive and sparkling humor which cuts incisvely into the heart of the feminist struggle” - Michele Amateau & Albert Alhadeff, Colorado Daily, July 31, 1975
In the 1970s, I began an exhaustive pictorial study of gender roles in the mass media. I organized file folders into dozens of categories, which included body parts, products, fashion, food, environments, slogans, etc. Everywhere I went, I ripped up magazines. Hundreds of pieces passed through my fingers before I decided which ones to glue down. Layering and juxtaposing fragmented imagery into human shapes, each figure became a parody of femininity or masculinity. As the series unfolded, I coupled, grouped and displayed the images as a human comedy on parade.
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Melpomene
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Deep Fat Profit
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Wash n' Dry
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Military Possibility
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Diagnostic Insights
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Le Carnivore
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The products and functions of household and beauty maintenance are poured into my madcap consumer goddesses in minute detail. I used humor to call attention to the absurd and restrictive conventions that were running our lives by satirizing domestic roles and how the female body is used to sell everything. |
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Bijou
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Myopic Bride
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Black Magic
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Mama Plentious
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Great Mother
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Cover Girl
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To express the stereotypes and the seductive artificiality of advertising, I created a unique form of plasticized collage cutouts which I termed Mediatypes. They were coated with plastic resin to give them a modern look that would reflect a polished superficiality. Using the lush allure of advertised food imagery, I caricaturized eating obsessions, junk food and weight phobia. Fat, too, has been a political issue as mass media and celebrity culture have continued to torment women with Barbie™-esque standards, destructively undermining health and self-esteem. Even now, these issues remain equal opportunity offenders, crossing gender, age, race and culture lines. |
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Oval Twist
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Sweet Tooth
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Le Gourmand
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Indulge Yourself
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Good & Plenty
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Fight Fat
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